FASHION

For­mally trained in fash­ion design. That pre­mium sen­si­bil­ity now shapes a broader prac­tice in graphic design for mar­ket­ing and brand­ing, color show­ing up with inten­tion, never abun­dance, deployed in pre­cise moments that keep the work feel­ing refined.

That same instinct for restraint runs through this col­lec­tion, inspired by Rio de Janeiro, from the city’s beach­wear cul­ture to the iconic side­walks designed by Burle Marx. The palette is solar: bursts of orange and cit­rus green against sandy neu­trals, grounded by the gray of stone and asphalt.

Sexy and light, the col­lec­tion fea­tures lay­ered organza tops with frayed detail­ing that echoes feath­ers mov­ing in the wind and sea breeze, paired with fab­ric bands applied across skirts and dresses. Three menswear looks com­plete the line, includ­ing a relaxed-fit linen suit with a tuxedo col­lar.

ILLUSTRATIONS

Fash­ion illus­tra­tions built in a sleek, mod­ern style, elon­gated sil­hou­ettes ren­dered against dense trop­i­cal foliage, banana leaves, bird of par­adise, and more. They trace the col­lec­tion’s full range, from the solar orange open­ing looks through the sandy neu­trals to the clos­ing cit­rus green, with the gray striped dress mark­ing its most graphic moment.

RROD

rrod was a t-shirt line, each print designed in-house and pro­duced through dig­i­tal tex­tile print­ing on 100% cot­ton tees. Ref­er­ences ranged from Brazilian culi­nary cul­ture to iconic works of art to the lan­guage of data and sur­veil­lance. One print draws on a 19th-cen­tury poem by Giacomo Leopardi, its med­i­ta­tion on fash­ion’s dia­logue with death and mor­tal­ity reimag­ined as graphic type. Another merges the sky­lines of Shibuya in Tokyo and down­town São Paulo into a sin­gle mul­ti­color print, two cities col­lapsed into one sil­hou­ette.

CORA

Beyond the scarves, CORA’s ready-to-wear car­ried the same orig­i­nal prints, each one designed and each sil­hou­ette devel­oped in-house. The first, named Amulet, lay­ers sym­bols of luck and pros­per­ity, the lady­bug, the winged heart, the sun, and the tur­tle, into a sin­gle repeat­ing motif. Electric Bloom brings the blooms together in a dig­i­tal gra­di­ent wash, col­ors blend­ing into one another across the fab­ric. The third, Bougainvillea, takes its name from the flow­er­ing vine native to South America, ren­dered here in a soft spring palette of pink and coral.